Witchcraft of Salem Village
|Narrated By:||Gabrielle De Cuir|
|Date:||13 October 2014|
A detailed account of one of the strangest and most shocking episodes in American history, written by the author of “The Lottery”Stories of magic, superstition, and witchcraft were strictly forbidden in the little town of Salem Village. But a group of young girls ignored those rules, spellbound by the tales told by a woman named Tituba. When questioned about their activities, the terrified girls set off a whirlwind of controversy as they accused townsperson after townsperson of being witches. Author Shirley Jackson examines in careful detail this horrifying true story of accusations, trials, and executions that shook a community to its foundations.
She is best known for the short story "The Lottery" (1948), which reveals a secret, sinister underside to a bucolic American village, and for The Haunting of Hill House (1959), which is widely considered to be one of the best ghost stories ever written. In her critical biography of Jackson, Lenemaja Friedman notes that when "The Lottery" was published in the June 26, 1948, issue of The New Yorker, it received a response that "no New Yorker story had ever received". Hundreds of letters poured in that were characterized by, as Jackson put it, "bewilderment, speculation, and old-fashioned abuse". In the July 22, 1948, issue of the San Francisco Chronicle, Jackson offered the following in response to persistent queries from her readers about her intentions:
Explaining just what I had hoped the story to say is very difficult. I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.
Jackson's husband, the literary critic Stanley Edgar Hyman, wrote in his preface to a posthumous anthology of her work that "she consistently refused to be interviewed, to explain or promote her work in any fashion, or to take public stands and be the pundit of the Sunday supplements. She believed that her books would speak for her clearly enough over the years". Hyman insisted that the dark visions found in Jackson's work were not, as some critics claimed, the product of "personal, even neurotic, fantasies", but, rather, comprised "a sensitive and faithful anatomy" of the Cold War era in which she lived, "fitting symbols for [a] distressing world of the concentration camp and the Bomb." Jackson may even have taken pleasure in the subversive impact of her work, as revealed by Hyman's statement that she "was always proud that the Union of South Africa banned 'The Lottery', and she felt that they at least understood the story".